theblacklacedandy:

fencehopping:

Tim Burton received this handmade cake from his animation team and it’s basically the coolest shit ever.

THIS MAKES ME SO HAPPY

insidiousmisandry:

i cant believe i missed the lesbian sex wars




Played: 814999 times

stupih:

sexuality: fictional women who could kick my ass

timelordgifs:

I just want you to know, there are worlds out there, safe in the sky because of her. That there are people living in the light, and singing songs of Donna Noble. A thousand, million light years away. They will never forget her — while she can never remember. … But for one moment… one shining moment… she was the most important woman in the whole wide universe.

johnthemod1:

Peter Capaldi to Steven Moffat: image

cosplayinamerica:

Regram from #darthcaifan #SDCC #HocusPocus !!

It’s set in 1952 and Jessica plays this German lady who goes around and rescues the unwanted and the unwashed and the unloved and brings this troupe together. And it is indeed one of the last freak shows in America, and it’s under siege. Her perception is that the true freaks are the suburban women making martinis for their husbands and selling Tupperware. So it sort of has a lot of social context to it in a way that Asylum did, which I always loved. It had some gravitas. It was really about something. And I think that this has that as well, I hope, because it asks the question “in our society who really are the freaks and who are the normals?” That’s the underlying idea. And it has great sets and great makeup and hair, and the production values are off the hook. And it’s got a really great iconic villain this year that I’m quite fond of named Twisty. If you’re afraid of clowns, it’s not for you.
At times I feel that I may be a very cold and unemotional person and at times I wish I wasn’t so mentally vulnerable. I do tend to stand on the outside sometimes.
THEME